In Defense of Scarlet
Heart Ryeo.
By @Pei, @Anne, @Persian, @Maui (fan collaboration)
Over a year ago Moonlover’s Scarlet Heart Ryeo (MLSHR) aired
to disappointing ratings at home.
Worldwide it garnered attention including 2.5 billion watches on China’s
Youku. Setting the drama on dual platforms.
Success abroad but low ratings at home.
There are many reasons fans love so much about the story. MLSHR explores what stirs the human heart. It is told in a way that makes you care deeply about its characters.
Promotional clips
showed a light youth flower-boy drama but MLSHR is not just another youth
sageuk.
It is a drama that is brutally honest in the dynamic inside
“Goryeo’s” royal family. Intimately told with personal portraits as we explore their
relationships.
Comments in dramabeans alone (1,265 for episode 20) show the
story engaged viewers into deep analysis.
There are many elements that appeal to different audiences,
ages and cultures. There’s romance, history, action, tragedy.
The cinematography and visuals create dreamlike scenes like live
action post cards or paintings brought to life.
The close ups, at times criticized, but in scenes (Hae-Soo
applying makeup for 4th Prince) they bring intimacy, allowing us to
see nuanced gestures.
The panoramic angles inspire the imagination in a way that
great art does. This along with an incredible soundtrack makes scenes unforgettable.
Transporting us to more than grief, or
loss. Lady Oh’s death scene suddenly hits you in the gut, as the OST crawls
right into your soul.
Characters in MLSHR
are complex, layered, flawed not heroic written with believable struggles in 10
years they experience growth and change.
Character are not
written into the story as filler or comedic relief. Their backstory, their
small appearance leaves audiences wanting to know more. Cringing at their
naivety, their choices, lamenting their fates, surprised as they change over time.
The relationships in MLSHR are explored adding gravitas to
the story. These are intimate moments, portraits explored in a rich tapestry due
to some brilliant casting choices.
Lee Joon-Gi’s performance as 4th Prince an actor
at the top of his game. What a treat to watch him convey emotion intimately.
Some so raw we are left feeling shaken. Watching in full color as he slowly,
knowingly swallows poison.
Through 4th Prince we explore relationships with
his mother Queen Shinmyeongsunseong and brother
Prince Yo thru scenes full of complex dark emotions leading us down tunnels of
greed and twisted love.
Tortured souls trapped in their own fears. 4th
Prince’s final goodbye to his mother; raw, visceral, a human longing for unattainable love.
8th Prince brilliantly cast by Kang Ha Neul, creates
perfect tension. One reaching for the light, the other traveling away from it.
Prince Baek-Ah’s innocence more fit to be a revolutionary or
socialist. King Mu’s lack of ruthlessness the missing piece to a true enduring
monarch.
Prince Eun, immature and young surprising us with his sacrifices as
husband. King Taejo: ambitious, wise, cruel, clever, merciful. All of them
flawed. All change paying the price for their choices.
Then there’s romance and possibly the most loved/hated protagonist
Hae-Soo played by IU. In defense of her performance, we must consider Lee Joon-Gi
. Cast next to him as leading lady is not easy for any actress even experienced
beautiful ones.
Yet IU manages to shine in the beauty department not looking
like his noona, and has in addition chemistry with the Prince’s.
The ability to portray young and aged in the second half of the drama allows her to fit the Prince’s different heights, ages, and personalities. She develops a unique relationship with each one.
4th Prince and Hae Soo’s relationship isn’t one
where he is captured by her beauty, but where time, friendship, circumstances slowly
bring hearts at odds together.
When love finds him 4th Prince falls hard for Hae
Soo.
She is flawed, naive and unaware of what love is.
She finds
in him love surpassing all others.
She isn’t perfect,
but she compliments him so well. The
Kingmaker, with a compassionate heart who understands the castaway.
Tortured in a cell she waits,
he visits. Not asking how she is, but reprimanding her. She wonders what to do
with him?
Their conversation is intimate in its silence like watching
an old married couple. It is their eyes that convey their hearts.
Hae-Soo’s naivety and choices are difficult to understand. The
writers portray a flawed person who makes emotional choices and pays the price.
We cringe at the brutal honesty and get angry when the price is paid for those
choices. Hae-Soo is very human with strengths (the heart that wins a King) and
weaknesses (emotional choices). She too grows and changes.
The story has its moments of sheer epic-ness. Including
fight scene feeling like a Tarantino movie as Lee Joon-Gi shows off his martial
arts single handed against an entire temple of assassin monks with no
stuntman.
MLSHR’s strong women include: Princess Yeon-Hwa surviving by aiming to win the game of thrones, Park Son Deok who can outfight and outmaneuver any soldier, Chae Ryung a slave boiling down the essentials to love is stronger.
There
struggles are real, poignant, adding layers, showing love can be multi-faceted.
The writers again don’t shy away from showing how their actions have
consequences.
The last episode leaves ample room to grow. Why did Ji-Mong
leave? What about the King’s daughter? How will he travel to the future? What happens now? Open threads needing so much more exploration,
leaving us wanting more.
As fans we appreciate the good, the bad and the ugly. Feeling grateful for the details and quality.
It might not be everyone’s cup of tea,
but MLSHR universe found a solid place in many fans hearts. Making it the
standard by which they judge other sageuk.
Its real characters
continue to haunt us and the yet unexplored storylines. The endless
possibilities for the story. These thoughts leave us with no real closure.
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